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Black Music and Writing Black Music History:
American Music and Narrative Strategies
Samuel
A. Floyd Jr.
My aim in this paper is to draw attention to ways of writing American
music history and to draw from its narrative approaches implications for
black music research. In the process, I touch upon three subjects: narrative
strategies for writing American music history, an impediment to the writing
of a complete history of American music, and an idea for the construction
of a model for the latter by combining musical practice with a diasporal
approach to black music history.
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Content in Black Music Research Journal (ISSN 0276-3605) is intended for personal, noncommercial use only.
You may not reproduce, publish, distribute, transmit, participate in the
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